GENRE: Hard Rock
FORMAT: Lossless (Flac)
SIZE: 1,24 Gb (3% Recovery)
Recorded Live at Rainbow Theatre, London, UK 30th June & 1st July 1972.
Label: Darker Than Blue - 229/230/231/232
Released: 2016
TRACKLIST:
Live At Rainbow Theatre, London, UK 30th June 1972
CD1
1-1 Highway Star
1-2 Strange Kind Of Woman
1-3 Child In Time
1-4 Smoke On The Water
1-5 The Mule
CD2
2-1 Lazy
2-2 Space Truckin'
2-3 Speed King
2-4 Lucille
2-5 Black Night
Live At Rainbow Theatre, London, UK 1st July 1972
CD3
3-1 Intro
3-2 Highway Star
3-3 Strange Kind Of Woman
3-4 Child In Time
3-5 Smoke On The Water
3-6 The Mule
CD4
4-1 Lazy
4-2 Space Truckin'
4-3 Speed King
NOTES:
(links in comments)
(PASSWORD = ra)
Enjoy !
FORMAT: Lossless (Flac)
SIZE: 1,24 Gb (3% Recovery)
Recorded Live at Rainbow Theatre, London, UK 30th June & 1st July 1972.
Label: Darker Than Blue - 229/230/231/232
Released: 2016
TRACKLIST:
Live At Rainbow Theatre, London, UK 30th June 1972
CD1
1-1 Highway Star
1-2 Strange Kind Of Woman
1-3 Child In Time
1-4 Smoke On The Water
1-5 The Mule
CD2
2-1 Lazy
2-2 Space Truckin'
2-3 Speed King
2-4 Lucille
2-5 Black Night
Live At Rainbow Theatre, London, UK 1st July 1972
CD3
3-1 Intro
3-2 Highway Star
3-3 Strange Kind Of Woman
3-4 Child In Time
3-5 Smoke On The Water
3-6 The Mule
CD4
4-1 Lazy
4-2 Space Truckin'
4-3 Speed King
NOTES:
New excavation live album of the impact is appeared in the press 4CD. Of this work has been recording, “June 30, 1972 and July 1, London”. It is the audience album was fully recorded the whole picture of the “Rainbow Theatre” for two days.
Only “1972” … the other hand, will be those who throbbing heart also come. Ultra-name record “MADE IN JAPAN” as well, “MACHINE HEAD”, “WHO DO WE THINK WE ARE” also heyday during the heyday that has been barrage. Also in the legend of purple shining brilliantly in Rock history, exceptionally dazzling time of live music to listen. But it was also the name recording brush up on the “MADE IN FLORIDA (Darker Than Blue 226)” also delivered tradition the other day, unfortunately encore was unreleased. This time, I large Ketteiban where you can experience the “just before the Japan tour” in full show × 2 times.
In fact, a large this “just before the Japan tour.” So far in the dogma “1972” has been Tokushutsu only Japan performances, live the apex of the performance is “1970 – 1971” has been considered. The reason is that the recording was limited. Until now and say “1972 year”, low tension tired of overcrowded schedule 2 – is March recording and Ian Gillan is the thing after he decided to leave Japan tour was almost. However, such a period of time that they have regained the tension of 1970 Beams there was only during very short. Since the sentence only would be difficult to understand, let’s review in the schedule.
“March 25” MACHINE HEAD “release”
– March 17 – 31, 2011: North America # 1 (11 performances)
“March 31, Ritchie fall in hepatitis”
– April 6, 2011: Quebec performances (understudy Randy California)
“After a month and a half”
– May 25 – June 6, 2011: North America # 2 (9 performances)
– June 27 – July 1, 2011: Europe (3 performances) ← ★ here ★
– July 6 – 18, 2011: North America # 3 (11 performances)
“July” purple Portrait of “basic recording”
– August 15 – 17, 2011: first visit to Japan of the legendary (3 performances)
– August 22 – September 3, 2011: North America # 4 (10 performances)
(Because of the time that information has not been determined, such as the performance number is uncertain)
This is the “MACHINE HEAD” since the release, is a schedule of up to Guillain has decided to leave “North America # 4”. Point, Ritchie Blackmore of hepatitis (March) and the Japan tour (August). As mentioned earlier, the band was exhausted in overcrowded schedule, improvisation was also went to become a tension lower live, such as relying on the promise phrase, pour in a vacation that Richie in March unexpected fall in hepatitis. So whether fatigue was healed, at once tension is resurrected after Richie return. I live was full of spirit to re-departure was followed up Japan tour.
Miracle is actually …… was not only Japan tour, that this is revealed by this work. The recording is almost without this strong period, was only know faintly hear the “MADE IN FLORIDA” until now. That’s came to listen in full two shows.
This work has become such a historical excavation, really great vintage audience. Also wrong not a quality like comparing a sound board, but “look for a performance from the roar, roar,” There tend to at that time in the type (never!) No. In particular, “July 1” of the disk 3, 4 in the wonderfully clear, five of the musical tone is captured tightly, Katsuaki even difficult-based run in the audience recording. Furthermore downright wonderful “sound” of the guitar. But is Richie sound that began to change in every era, particularly is still the 1970s. …… That it is going to battle to the sharp Guillain shout and Japan as penetrate. Just yet tension of the “1970” burr rich classic repertoire of “FIREBALL”, “MACHINE HEAD” color to show the colorful, the “June 30” will showcase even “Lucille”. “MADE IN JAPAN” miracle, but also different …… the two shows also listen in performance. Currently, but was seen double rear deterioration of net sound source is a sound that has derailed the mania around the world, correction as much as possible in the latest mastering, has taken all possible measures to enjoy seamless.
Once “MADE IN JAPAN” was thought to only “a miracle of 1972”. Should also referred to as the home country, eds., Is the crown jewel of DEEP PURPLE. While that shock of the new excavation also monkey, its great performance, enthusiastic performance is what dazzling 4 Disc. Live new name board of the album jumped over the 44 years of space-time. This weekend, we will deliver to you your hand.
(www.giginjapan.com)
(links in comments)
(PASSWORD = ra)
Enjoy !
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